Date: Thu, 24 Jun 1999 16:04:03 +0100
Subject: SPOON-ANN: Deleuze's 1956 paper
[Spoon-Announcements is a moderated list for distributing info of
wide enough interest without cross-posting. To unsub, send the message
"unsubscribe spoon-announcements" to majordomo-AT-lists.village.virginia.edu]
Dear all,
You may like to know that Deleuze's 1956 essay, 'La Conception de la
Différence chez Bergson' which first appeared in Les Etudes Bergsoniennes, 4
(1956), pp. 77-112, has now ben published for the first time in English in
The New Bergson, edited by John Mullarkey (Manchester University Press and
St Martin's Press, 1999). This volume collects together the latest work on
the continued significance of Bergson's work for our age, much of which
comes from a Deleuzian perspective. Publication details and blurb follow
John Mullarkey
_________________________
Paperback - 256 pages ( 1 April, 1999)
ISBN: 0719055539
Hardcover - 256 pages ( 1 April, 1999)
ISBN: 0719053803
No philosopher has been as important to our age as
Henri Bergson. At the threshold of the twentieth century, he reset
the agenda of philosophy and its relationship with
science, art and life itself. Concerned with both examining and extolling
the phenomena of time, change, and difference, he was
at one point held as both 'the greatest thinker in the world' and
'the most dangerous man in the world'. Yet the impact
of his ideas was so all-pervasive amongst artists, philosophers,
and politicians alike, that by the end of the Great
War it had become impossibly diffuse. In a manner imitating his own
cult of change, the Bergsonian school departed from
the scene almost as quickly as it had arrived on it. As part of a
current resurgence of interest in Bergson both in
Europe and North America, this collection of essays addresses the
significance of this philosophical legacy for
contemporary thought. It is not intended as an historical investigation,
however: as a truly new reading of Bergson, his work
is examined in terms set by modern debates in metaphysics,
relativity theory, evolutionary theory, philosophy of
mind, environmentalism, and aesthetics. Written in an accessible
manner by an international field of academics, it
will prove rewarding to teachers and students alike in philosophy,
physics, biology, psychology, art history, and film
studies.
CONTENTS
INTRODUCTION La Philosophie Nouvelle or Change in Philosophy
I HISTORY AND METHOD
Richard A. Cohen Philo, Spinoza, Bergson: The Rise of an Ecological
Age
Garrett Barden Method in Philosophy
II ONTOLOGY
Gilles Deleuze Bergson's Conception of Difference
Timothy S. Murphy Beneath Relativity: Bergson and Bohm on Absolute
Time
III MIND
A Letter from Bergson to Dewey
Frédéric Worms Matter and Memory on Mind and Body: Final Statements
and New Perspectives
Marie Cariou Bergson: The Keyboards of Forgetting
Eric Matthews Bergson's Concept of a Person
F. C. T. Moore Magic
IV LIFE
Keith Ansell-Pearson Bergson and Creative Evolution/Involution:
Exposing the Transcendental Illusion of Organismic Life
P. A. Y. Gunter Bergson and the War Against Nature
V ART
Mark Antliff The Rhythms of Duration: Bergson and the Art of Matisse
Paul Douglass Bergson and Cinema: Friends or Foes?
Display software: ArchTracker © Malgosia Askanas, 2000-2005