File spoon-archives/postcolonial.archive/postcolonial_2000/postcolonial.0010, message 59


Date: Tue, 10 Oct 2000 10:00:03 -0500 (CDT)
Subject: Re: Museumizing the 'other'/'Native' as spectacle? 


Miriam, 

You might try Zeyneb Celik's _Displaying the Orient: Architecture of
Islam at Nineteenth-Century World's Fairs_ (1992).

Emily
*******************************************************************************
Emily A. Haddad				414 E. Clark St.
Assistant Professor of English		Vermillion, SD 57069
212 Dakota Hall				(605) 677-5981
University of South Dakota		ehaddad-AT-usd.edu

On Tue, 10 Oct 2000, Miriam Schacht wrote:

> Hello all,
> 
> Apologies for using this list to generate reading suggestions, but my 
> library and journal searches haven't helped me very much so far... 
> Apologies also if this is a bit vague; I'm trying to avoid lengthy 
> summaries of my topic! Basically, I am looking for material on
> 
> * Generally, the role of the museum/the exhibit in colonialism, but in 
> particular,
> 
> * The use of actual persons as exhibits and as spectacles - such as as 
> Saartjie/Sara Baartman ("the Hottentot Venus") or Ishi ("the last wild 
> Indian").
> 
> I've found a few articles (such as Haraway's article on the American Museum 
> of Natural History, and several on the individual cases I've mentioned) but 
> I'm having difficulty finding more theoretical material about the use of 
> "the native" as spectacle that would be useful in this context. I know I've 
> actually read some articles much like what I'm looking for, but can't for 
> the life of me remember where. (That'll teach me to keep better track of my 
> reading...)
> 
> Thanks for the help.
> 
> Miriam
> 
> 
> ----------------------------------
> mschacht-AT-mail.utexas.edu  (Miriam Schacht)
> 
> Assistant Instructor, Dept. of English
> University of Texas at Austin
> Parlin 108, Campus Mail Code B5000
> Austin, TX 78712
> 
> 
> 
> 
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> 



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