From: "Glen Fuller" <spacedet-AT-hotmail.com> Subject: Re: Tantalizing times - arguing for atheism.... Date: Sun, 17 Jun 2001 06:38:35 +0800 G'day Hugh, > > Is there a unitary definition that incorporates subjective > >interpretations > >of that which is generating the experience? > Isn't all experience subjective? Don't different people having different > consciousness, different memories, experience so-called "same" events > differently? Not when people 'imagine'... > > >So let us imagine ourselves "outside" the so-called real >>world, Cosmos, > >>Universe(s), observing all that "is" - Including all that is >>to > :scientists, > >>deists, atheists - the "facts" we obey to survive > > But we cannot escape everyday life, there is no panoptic >point of view. > "Imagine" there is. > >We can only reference ourselves relative to >the :world :around :us. Like > >in astrophysics and how >they :place the Earth, for there is >no centre to > >the > > universe (or if there is no one has told me:). > "Imagine" a center. ...then there is a collective subjectivity, and we have people telling each other that they believe and feel like they are Christians, or Communists, or KKK members, or something like that. Don't you think as soon as we imagine a centre for arguments sake, we have done exactly that, given those we argue against (whatever the ideological positioning) some ground to stand on. > > Is that which you call sublime sort of like an acutely affective > >experience (i.e. that which does not require the binary logic >of the > social > >for some level of understanding)? > Assuning binary logic of the social means two people agree, events, sublime > or not, seem to be understood without being confirmed by another person. > Sometimes, not being sure, we > ask another person if they saw the same object, heard the same sound. No I meant in a Zygmount Bauman-esque binary, where there is always an inside-outside logic to language, or in terms of Baudrillard, there is always social residue. Boundaries are being placed around subjective experience so they can be communicated and shared. Human success in this domain can be found in, for example, some love poems, and failure in racist slurs. > > >From Nietzsche's point of view, there is no exit from the >labyrinth of > >interpretation; everything is 'interpreted through and through'. > > There is only essential relativism, that is what is shared across >all of > >humanity. > To "believe" there is "only" essential relativism, or "only any other ism > seems to be a failure of imagination. But what are we imagining exactly? Following what I call the binary logic of the social there is always something discarded, some residue produced... but that is not to say that experiences between persons aren't so similiar that some are practically the same, or the persons can come to an agreement regarding the similarity. That is, for the practical use of language, so there can be a social at all. In po-mo I meant there was seemingly essential relativism (not that there definitely was, sorry:), compared to modernity's relative essentialism. And by essential relativism I mean in western societies (I am not in the U.S.) there seems to be a culture of victims appearing. Or not neccessarily victims, but people taking the relative stance of something like "I refuse to be a victim!" (Sort of like in the film American Beauty, but that is stretching it, I just needed an example to illustrate what I am talking about.) As a victim you are oppressed or dominated, and thoroughly subjectified. You become the 'residue' by physical or ideological force. However, it is only the threat of being a victim, not actually being (although, of course, there are real victims) a victim. Thus they create for themselves a position that seems to be that of 'residue', of the Other, an 'authentic' subject position, so as to 'authenticate' actions and ideological viewpoints. Or, perhaps, to authenticate an essentially relative subject position. I realise (see no 'z', not in U.S.:) that the above seems orientated towards a politically right tajectory, me saying that there are culprits of self-victimhood, eh, it only seems that way. If anything, I am a flightless bird with no wings... > >Perhaps, then that is why the focus on the 'sublime'? For it is > > (normatively) a trans-cultural experience... it doesn't need to > be > >referenced, for it can't be communicated, only >experienced. >It can't be > >communicated because the >boundaries of language can only >communicate > about > > the experience, rather than the experience itself. > It seems that experience is a function of an individual's life-history, > accumulation of memories, vs.environmental stimuli i.e. perception of > events. I meant that because of the apparently transcendental nature of the sublime, something is shared (on a certain level) with others. Trancendental of the insufficiencies of language that is, and hence, reason (of the binary logic of the social) itself. > It is said that a newborn human sees flashes of light and dark, and "learns" > to recognize its mother's face, by repetition and memory. > Memories are notoriously inaccurate, even short-term, as witnessing and > describing an accident or a crime. Language is > often inadequate, except for simplest objects and events where much-used > words serve well. > Years or decades afterwards, recollection of an event, recollection of a > feeling, is likely to be in some degree inaccurate. But which memories are you more certain of? The ones that happened, say, 4 hours ago, or the ones you have had for 10 years? The certainty here is not of the events in the 'real' world, but of the events as they are recorded in your head. The memories of 10 years have had more time to, umm, stew (?). So that the actual events themselves the are part of the memory are fuzzy, but the experience of what is remembered is not. E.g. when you were a little kid did you burn yourself on a stove (or some such thing)? Do you remember what colour the stove was (or what the time was, or the day, or the brand of the stove, or what type of pants you were wearing), or that is was bloody hot?!!! > If the sublime is "beauty and terror" as it is sometimes claimed to be, it > must be very rare. Or maybe we just don't like to let ourselves feel such things (because then we lose control, and hence are vulnerable (on some base instinctual level)) and we shy away from experiences that we know are going to result in something sublime? > If it is an experience of beauty for which one "cannot find the words" to > describe it to others, one does not have the "language" to verbalize it as > idea, thought or concept, even for ones' > self. Visual and aural arts are languages without words. But still languages, still approximations of something not definable? Which is why art appreciation could be regarded as normatively subjective. Subjective, but a shared (collective) subjective (as mentioned above), for 'something' prior must be shared between audience and artist for 'something' to be communicated. In terms of Frege, the artist and audience need similar 'senses' of the same 'reference.' Cheers, Glen Fuller.
Display software: ArchTracker © Malgosia Askanas, 2000-2005